This past weekend was the 28th Vancouver Folk Music Festival, and also marked the fourth year in a row I’ve attended. My wife, daughter, and I spent the better part of Saturday and Sunday there, and like last year, we skipped the evening concerts. My daughter had a great time, running, dancing, going up to strangers and stealing their sunscreen, and climbing into other people’s chairs and sitting there with a smug look on her face; it was very amusing.
For the uninitiated, the Folk Fest starts on Friday night with a big concert on the main stage. On Saturday and Sunday, there are seven stages scattered around Jericho Park with music going from about 10am until almost 6pm, with a big evening concert taking place on the main stage. Of the seven stages, stage 1 is in the children’s area and has acts that cater to the younger set (but with adult appeal all the same).
I’ve always had fun at the Folk Fest, but for my wife it’s the must do event of the summer. Our best friends H&M and J&E are also in that camp, the latter having been volunteers there since forever (at least 12 years if not longer).
Once again, I enjoyed this year and last a lot more than the first two. This has little to do with the event and the artists present, but rather with time and energy. On Saturday we were on site from 10am until almost 6pm, and on Sunday from 10am until a little after 4pm. Prior to that it was an exercise in endurance: Friday from 6-10pm, Saturday and Sunday from 10am-10pm.
Some things that continue to impress me:
The Folk Fest thrives on its strong corps of volunteers. Indeed, according to J&E, if you even wanted to volunteer, you’d probably end up on a waiting list. One of the consequences is that this is impeccably well organized and run; although I will digress for a moment and admit there are often delays at the various stages, but those are de rigueur when you have three of four groups on stage at the same time and everyone needs to get their instruments hooked up and sound checked, repeat every hour or so per stage throughout the day. If nothing else, it lends a lovely consistency and continuity to the proceedings, and the volunteers have all been friendly, approachable and helpful.
There's an assortment of musicians and groups. Pretty much no matter your particular musical interest, there's bound to be something you find interesting – or, as I like to put it, "something to please and offend everyone". There's a lot of opportunity to discover artists and styles you've never heard before (and to listen and seek out old favourites too). And with seven stages, if you don't like what's going on where you are, you can go check out what's going on somewhere else!
Some things that disappointed me this year:
Two years ago, my wife noticed a baby change station near the first aid tent and she said at the time “That will come in handy”. Last year, we didn’t need to use it, as infants are neither messy nor mobile enough to really need it. This year though, we needed it. We went in search of it, but none of the volunteers knew where it was; we finally asked at information services and they said it wasn’t there anymore. It’s marked on all the maps though. Oops.
However, as irritants go, it could have been much worse.
One final note about the festival itself – the festival is in debt. Deep debt. $450K in the red. J&E and others in the know were telling us we’d better enjoy this year as it might well be their last. They do have a debt retirement plan in place, they’ve made some cutbacks in some areas that have ensured no net operating loss for this year, but it’s still not looking rosy.
Right then, the all-important part of the Folk Fest, the music!
Saturday
One of the first things we saw was a collaborative workshop between Dòchas, Karan Casey, and Le Vent du Nord. The latter was one of my favourite from last year; they’re a group from Québec who play a lot of up-tempo traditional tunes from la belle province. Dòchas is a quintet of girls and one guy from Scotland, and Karan Casey is from Ireland. They all have fiddle players in their midst and it was a lot of fun to watch them play together.
After an early lunch, we saw what was for us one of the highlights of the festival, the Danish fiddle/guitar partnership of Haugaard & Høirup teaming up with the Danish singers Karen & Helene. They’d worked together before, as was quite apparent from their musical collaboration, and it was a real delight. It’s a shame that they don’t have a CD out of their work together – I guess I’ll just have to play their respective CD’s at the same time.
We then headed for the shade at stage 1 to see a chap named Boris Sichon who put on quite the one-man act with all manner of percussion and woodwind instruments for the kids. It was a lot of fun, although if he had three or four other people on stage with him, it would have been something to knock your socks off.
3pm saw us in the shade at stage 2 to see the Jaipur Kawa Brass Band. This troupe from India were very entertaining indeed, and once their show was over, they walked off stage and held a procession through the crowd, tooting and drumming their way back to their dressing rooms.
Our final event of the day was seeing Le Vent du Nord doing a concert at stage 1. I really like these guys – they always have a lot of fun and they can PLAY!
Sunday Sunday morning, my wife and daughter took the bus and I rode my bicycle with a trailer in tow with all our gear. It’s only 14km, and I had someone to ride with. Towing a trailer was even more work than I’d expected, but I still managed to sustain an average of 20km/h the entire way (bike computers, gotta love ‘em!). I have to say that it was very nice indeed to have the Chariot with us on the Sunday. Perhaps next year we’ll cycle en famille.
Sunday morning at 10am, we saw a fabulous collaboration between Haugaard & Høirup, Dòchas, and Oliver Schroer (“Reely Good Tunes”). Oliver Schroer is a Vancouver fiddle player, although he doesn’t play anything most people would recognize. He is an amazing musician, very talented, and plays a very unusual 5-string fiddle, both electronic and acoustic. He is a producer and seemingly involved in any musical happenings in BC. They played tunes in turn and at the end of the show played together (of course). I couldn’t think of a nicer way to spend the morning.
We stayed at the stage for the next session, which saw Haugaard & Høirup stay on stage to be joined by Michael Jerome Brown & the Twin Rivers String Band, and John Reischman & the Jaybirds. It was a strange juxtaposition to be sure. The latter two acts are very bluegrass/Cajun, while Haugaard & Høirup are from a much more “traditional” mold. And yet – it worked. Michael Jerome Brown & the Twin Rivers String Band are a Cajun act. John Reischman & the Jaybirds is an ensemble act that reminded me very strongly of the Backstabbers, complete with the assembling together around the mic with the bass player singing and plucking away. During this set, I wandered over to stage 6 to see a few minutes of The Dhol Foundation. The Dhol Foundation feature dhol drums which have treble on one end and bass on the other with different drumsticks for each hand – strong beats and lots of loud percussion. They had the entire crowd on their feet, and I have to say that only the heat kept me from staying to hear more of them.
By then it was lunch and we went near stage 3 to get some shade and food, so we heard a good portion of the “Guitar Slingin’ Singin’” set with David Jacobs-Strain, Kate Shutt, and Bill Bourne & Eivør Pálsdóttir. I can’t say it was my cup of tea on the whole, but some of the blues numbers they played really make me want to be in a smoky bar drinking bourbon, scotch and beer.
Oliver Schroer was playing a concert after, so we stayed in our shady spot and listened in wonder as he described his 1000km pilgrimage with three companions through France and Spain, playing his fiddle in every church he could along the way with his portable recording studio. He’s a fabulous storyteller and musician. He had a limited print of 50 cd’s of the music he created on this journey, so I promptly went to the CD tent and bought one before they were gone.
The heat was almost oppressive, but there was a strong breeze and we were able to find a patch of shade near stage 6 so we finished our day with the “Pickin’ and Kickin’” show featuring Michael Jerome Brown & the Twin Rivers String Band, Karan Casey, and Le Vent du Nord. It was a rollicking way to end that day, and with the end of that show and a sleepy girl, we headed home.
Amusingly, my wife and daughter got home at the same time as I did. And for the record, the ride from Jericho Beach is easier than the ride to. To, it’s almost all uphill, from there’s a large hill at the start and then mostly coasting home.
We bought five CD’s on the weekend: Haugaard & Høirup’s Om Sommeren (In the Summer); Karen & Helene’s debut CD; Dòchas’ An Darna Umhail (The Second Glance); Le Vent du Nord’s Les Amants du Saint Laurent (The Lovers of the St. Lawrence); and Oliver Schroer’s amazing Camino.